Welcome! I'm a poet/writer/editor with years of editorial experience.
Business marketing
Lifestyle journalism
copyediting
poet|writer|editor
photo by Dark Lab
photo by Rachel Durrent
Business
people, businesses, non-profits
Below you'll find links to a few recently published clips:
One Tequila, Two Tequila, Three Tequila, More!
Homegrown Hobby to Burgeoning Business
photo by Rachel Durrent
photo by Renee C. Gage
Lifestyle
food, fashion, travel
Links to several recently published clips:
photo by Rachel Durrent
photo by Renee C. Gage
Editor
ghostwriting, copyediting
from grammar to big picture overhaul
sample from the winning collection entitled BirthSong
Since becoming a mother
I’m told I should write about motherhood
Be a hen, baby tucked under wing
Be a bear, protecting the cub
But I wasn’t strong that day and I have proof,
a video I didn’t ask my sister to film in the operating room
of the moments my belly was pulled aside
like a loaf of bread broken, a tangerine cleaved
The doctor’s hands dipped into the dark pond,
the view focused on wet, blue surgical gloves
then another set of hands, fingers fanned splayed and waiting
to pull my baby towards someone else’s arms,
and in the background noise, beneath
the celebratory cheers and shouts
is my voice, a murmur
saying wait wait is it over?
I wasn’t a bear a bird but a body
broken by hands for sharing.
a winner of the Fish Poetry Prize
The chalk-white gourds floated
on fishing line that ran from the left corner
of my grandparents' roof to a square birdhouse
sitting atop a 25-foot pole that I tried
many times to monkey climb
only to slip and cut my hands
on the sheets of thick white paint
that peeled off. I would sit
in the soft dirt beneath the birds
and rest my back against the pole
to use the best pieces of paint
to free the debris beneath my nails
—paint, dirt, pencil lead, bark—
surfaces that felt good to run my nails
against when I wanted to calm
down, so I’d scratch them
back and forth back and forth back and forth
till my fingertips were as raw
as when I’d pry open 100 pistachios
and lay them in order of roughest
to smoothest jackets, tossing their nutshells
in a pink plastic bowl with a picture
of Winnie the Pooh dancing across the lip
of the rim, a growing mound
of dry salty shells I’d later try
to pinhole puncture using a thumbtack
and earring post and string the cream
crescents with thread like the curved floating
homes of the birds I wanted to climb to,
to cup in my palms and dip my fingers
gently within the warm folds of their silky wings,
to finally find a space for my hands to hold and be held.
Caroline R Freeman